Earlier this week I discussed how many artists and art salespeople make a fatal flaw by giving buyers an easy way out. In the discussion about last week’s post, an artist shared the following suggestion about her closing process:
When it becomes obvious that they are considering buying the piece, I ask if they would like to add it to their collection. They either say yes, no, or state why they are on the fence… Which, as you say Jason, helps the sales person work with the collector to resolve an issue.
The last couple of sales, I got to know the collector, and when it became obvious that they were thinking of buying, I pulled the work off the wall and set it on a separate easel in the light… Then didn’t say a word… Just let him or her speak, and it became a sold piece.
This a great example of moving boldly to the sale. We often use similar techniques in the gallery, asking for the sale and moving the artwork to a more prominent wall or isolating it. I particularly want to focus on Lori’s last suggestion though – not saying a word after placing the artwork on an easel. This suggestion points to one of the most powerful, and yet most underused tools we have in our sales kit: silence.
As your client finds an interesting piece and you move toward the close, silence can be far more powerful than talk.
Many salespeople mistakenly think that selling is a process of talking potential customers into buying something. While establishing rapport and creating narrative are important, we often make the mistake of saying too much. I’ve listened to salespeople fill every moment of an encounter with talk, never giving the buyer a chance to commit. As your client finds an interesting piece and you move toward the close, silence can be far more powerful than talk.
Let’s face it, silence feels awkward. A sales encounter can be, at times, a slightly tense, if not nerve-wracking experience. When we’re nervous and encounter silence we feel an almost irresistible urge to fill it.
When a client raises a question or objection, or doesn’t respond right away, we may feel it’s our job to say something more, to further explain the art or respond to anticipated objections. Our job, however, is to make the sale, and sometimes saying nothing can be far more effective than anything we might have said.
I heard an interview on the radio several years ago where a police detective was talking about interrogation techniques. The detective mentioned that after a suspect answers a question, the detectives will often simply maintain silence. The detective said that the suspect will often provide vital information after the silence. In the pause, the nervous suspect keeps talking to avoid the silence.
Obviously, the sales process has a different end in mind than an interrogation, but the power of silence is just as palpable in selling.
There’s an old adage in sales that “the first person to speak, loses.” I don’t like the implication that the buyer is losing if you let them speak first (in the art sales process, everyone wins!), but experience has shown me that the point is correct. There are moments in sales where letting your client speak first will result in a sale.
When a client raises an objection or question
Don’t feel like you have to instantly jump in and answer questions or offer immediate solutions to objections. Frequently you will get valuable information from your potential buyer by saying nothing at all. If you remain silent and expectant, as if you are waiting to hear more, the buyer will sometimes answer the question, or further elaborate on the concern. There’s no law that says you have to jump right in with a response. Try and keep the ball in the buyer’s court.
When negotiating
Silence can be particularly useful in the negotiation process. Allow a pause after a client makes an offer to see if they will soften their request for a concession. Allow for silence after you make a counter-offer.
After asking for the close
As Lori suggested in her comment, silence is particularly effective after asking for the close. If you keep talking, you’re preventing your buyer from having the opportunity to say “yes.” After you ask for the close, you should never be the next one to speak. Wait for your client to respond, even if the pause is long and uncomfortable for you.
As with all sales tools, silence should be used judiciously. Experience will teach you when to say something and when to keep your mouth shut. The only way to get that experience, however, is to begin putting silence into practice. I would encourage you to consciously use silence at least one time during your next sales encounter. It may be awkward, you may use it at the wrong time, and it might simply not work, but you will feel the power of silence and begin building the resolve it takes to sustain silence.
Do you have experience using silence to close sales? Do you find silence particularly difficult to endure? Do you have questions about how to use silence? Leave a comment below!
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