The Best of Discarding Images

First is the Latin Porta illuminated manuscript, created in the Franco-Flemish region at the end of the 13th century. Its text was written on parchment paper in St. Jermone’s Vulgate version of the Bible. Remarkably, this is one of the few remaining works decorated in this style from Northern France.

Furthermore, the manuscript contains 447 illustrations of ornamented initials and even discarded images. For example, on page 376r in the manuscript is a discarding image of a “man-eater.” As displayed in the illustration, a lion eats a man whose lower body is exposed. Meanwhile, another man stands with a drawn sword as if he is about to strike the lion. (Which, of course, is impossible).

Next is an example of a discarded image in the Divine Comedy. The Italian poem was written by Dante Alighieri beginning in 1308 and completed by 1321. Although no original manuscript survived, many copies were made with imaginative illustrations. In the Divine Comedy, Dante and the Roman poet Virgil travel through hell and purgatory before finally reaching heaven.

However, in this specific image, Dante and Virgil observe the double metamorphosis between a serpent (who looks like a dragon) and Buoso. The discarding image looks like the dragon is giving the man a hug (and maybe even a kiss).

While many discarding images show mythological stories and creatures, there are images of real animals. For example, in the illuminated manuscript The Book and the True History of the Good King Alexander a picture of elephants provides a discarded illustration. Alexander the Great ruled most of the ancient world from 336 BCE until he died in 323 BCE. He is known for his brilliant military campaigns, winning territories from Egypt to India. As a result, his life was recorded in manuscripts such as this anonymous French version.

Thankfully, Alexander’s adventures were recorded through illustrations. In this miniature painting, King Alexander and his army are shown driving off elephants with pigs and musical instruments. Yet the image shows a delusional solution to a problem that music will not solve. Even better is the representation of an elephant’s trunk, which looks more akin to a musical instrument.

Additionally, animals are used in discarding images to create a visual pun. For example, on page 30v in Queen Mary’s Apocalypse manuscript, the artist painted a scene of frogs emerging from the mouths of two false prophets. However, this visual representation of frogs and prophets was not uncommon. Since Mary’s Apocalypse is a prayer book, it focuses on The Book of Revelation from the Bible. In chapter 16, verse 13 it states; “I saw three unclean spirits like frogs come from the mouth of the dragon, from the mouth of the beast, and from the mouth of the false prophet”. Yet, in this context, “frog” is probably an allusion to the second Egyptian plague. (When referencing the Bible, the book of Exodus, chapter 7 discusses the plague of frogs.)

Therefore, the image of frogs emerging from the false prophets is a visual translation of the Bible. Still, the image is extremely odd in terms of discarding images.

Next up, the Rothschild Canticles is an illuminated manuscript that was published during the turn of the 14th century in Flanders. Within the manuscript is a collection of prayers from the Bible, among other texts. In this discarding image, we see the hunt for the unicorn. According to legend, a unicorn could only be captured by a virgin maiden’s allure. The odd part about this image is certainly the naked person flailing about as the unicorn almost smiles. Not only that but the sheer size of the unicorn’s horn is rather alarming.

The “open-minded martyrs” are pictured this way due to their individual histories. Saint Denis is most famous for holding his decapitated head after his death. While Saint Piatus is known for having his skull sliced (similar to the image)! Although the image is historically accurate, the illustration qualifies as a disturbing discarded scene.